Welcome
to Go Big Audio's |
Responses
and Reactions Page |
| These are spontaneous reactions from music lovers & pros | |
| made
after listening to our samples and demonstrations |
| " This is the most fantastic music I have ever listened to! " |
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D. C. / Audiophile ) |
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"
I can't get over that 'Live' quality "
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S. R. / Film Studio Assistant ) |
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| "
It makes all of my other CDs sound bad " |
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J. W. / Studio Owner ) |
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| "
Without it, it sounds like half the band went home
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S. R. / Film Studio Assistant ) |
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"
It's almost like I'm THERE. " |
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C. V. / Sax Session Player ) |
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"
Without it, I heard Speakers, but with it, I heard MUSIC." |
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(
B. A. / Music Lover )
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"
It makes my stereo sound REAL. " |
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(
R. D. / Music Lover )
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"
You guys have accomplished what everyone else is trying to
do. " |
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(
K. C. / Auto Sound Manufacturer ) |
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"
I can see the shape of the instruments. " |
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(
B. C. / Film Director )
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"
This is REVOLUTIONARY! " |
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(
D. L. / Audiophile ) |
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(
M. O. / Film Sound Producer ) |
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"
Never before, could I turn up so loud, . . without distorting.
"
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(
C. Z. / Recording Studio ) |
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| " It's
like Night and Day! " |
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(
E. M. / Recording Artist ) |
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| " When You hear this, You are going to fall on the floor! " | ||||||||||||
(
D. E. / Music Aficionado ) |
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"
I don't know how much You guys are charging for this, but whatever
it is, . . . it's not enough ! "
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F. B. / Car Audio Expert ) |
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"
Listening to the THX theme with your process, I thought I was
in a movie theater. Without it, I thought I was home watching
the video " |
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(
T. A. / Film Producer Assistant ) |
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| "
It's the most awesome thing I have ever heard." |
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(
C. C. / Record Buyer ) |
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| "
I tried to duplicate your sound with my studio equipment using Exciters,
Equalizers, Expanders, a BBE & a T.C. Wizard Finalizer. I couldn't
even get close." |
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(
T. T. / Mastering Engineer ) |
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| Home | The Difference in Movies | The Difference in Stereo | Examples | Responses | No Budget ? | About Us | Contact |
The
following are Quotes from Producers
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and
who have received Platinum & Gold Awards |
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Kevin Dorsey |
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Credits: Former
Artist & Writer with Quincy Jones and Quest Records / Assistant
Music Director & Vocal Director for Michael Jackson since 1992
/ Performed with, Arrangements & Producing; Lionel Ritchie,
Stevie Wonder, Whitney Houston, Dionne Warwick, Lion King, Apollo
13, Out of Africa, The Color Purple, Forrest Gump, Amistad, . .
. Comments: "I'm glad I had the opportunity to listen to the demo a second time. It sounded even better than I had remembered it. I have never heard anything like this before - It will be a pleasure working with this innovative new sound." |
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Greg Williams
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Credits: Producer
/ Music business executive with many Gold and Platinum awards for
his work beginning with Motown's late 70's hit recordings, DeBarge,
Boyz II Men, 702, and Grove Theory. Part
of a team of acclaimed record producers which include Attala Zane
Giles and Kevin Dorsey, they recently produced a Dionne Warwick album
project and are creators and producers on the "Tribute To Love" album
for the "Essence Of A Man" Foundation. This recording project boasts
a cast of more than 30 Super Star vocalist from the 60's through the
90's. |
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Comments: "It
had always bothered me, but I had grown accustomed to getting less
than my original mix after the mastering was done. There was always
an EQ tweak and loss of presence and definition." "I
met with Gary, heard his demo and was surprised, impressed and knew
I had to try it on my then-current project. When finished, it was
the first time I had ever received a final product that was greater
than my original mix." Greg Williams |
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Don
Peake
Credits:
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Producer
of the "Eric Eckstrand Ensemble" - The Best Swing Band in L. A. /
Composer of many film scores, including Wes Craven's "The People Under
The Stairs" / Universal Pictures: "Knight Rider" Series, "Taxi Cab
Confessions" / Many Gold Records as "Arranger" / Served on NARAS Grammy
Awards Arranging Judges Committee 1996. |
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Comments: " I have just listened to your amazing demo for the second time. Since I am producing so many different kinds of projects, from film scores that I have composed, to the Best darn Swing Band in Los Angeles, I paid particular attention to the difference that your process can make, on very different kinds of music." "I can't wait
to have you work on my upcoming project. I am confident that the
difference that your process makes can spell the difference between
a hit, and just good." Don Peake |
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Martin
Kloiber
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Credits: Chief Engineer / Mixer for the group "Yello" & for Sound Proof Studios / Mixer for Many Movie Sound Tracks / Currently CEO for Euphonix | |||
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Comments: "What
I like is the dimension and imaging you get when it spreads the image
depth. Using
the normal processors that are currently available, the image is spread
to the sides, but the depth is not changed, like your process is doing." "This
process is something more than mastering, because of that something
added that was not there before. This
is the first time that I have ever heard something added that sounds
pleasant when it is finished. Most of the time, when you add something,
you wish you could remove it later. Mastering just enhances what
is there, but the element You add is good, and you want to hear more
of it."
Martin Kloiber |
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Music
Connection Magazine
November
23, 1998
All About
Jazz
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this
excited about listening to YOUR music? Easy . . .
It's
That Easy !
| Home | The Difference in Movies | The Difference in Stereo | Examples | Responses | No Budget ? | About Us | Contact |